Warning – this blog post has a self absorbed rating of about Ten
THE KEY PLAYERS IN THE SHORT TALE WHICH FOLLOWS:
I can date my Bowie fandom from seeing Bauhaus doing Ziggy Stardust on telly on Top of the Pops in October 1982.
The day after Bauhaus were on telly a friend lent me the Ziggy Stardust LP. A few months later I bought it on cassette with my Xmas vouchers from the Virgin Store in Portsmouth. I also got a book called the David Bowie Black Book for Xmas. A few weeks later I picked up Lou Reed’s The Blue Mask from the WHSmiths at Ipswich Station (Lou Reed appeared in the Black Book – it was the first I knew of him). This in turn led to the Velvet Underground, Pop Art, all things New York and so on and so on.
I reckon that much of what has followed in my life, for better and worse, followed from that Bauhaus performance and from my ensuing Bowie obsession. The music I’ve listened to, the books I’ve read, the films I’ve watched, the people I’ve liked and even, in some ways, the places I’ve lived can also be traced back to seeing Bauhaus doing this song in 1982. This may seem like I’m overstating this but I think it’s true. I also think that the way most people are at 15 is fascinating, at least to themselves, and at least to themselves at both 15 and at 50.
I also bought the Bauhaus Ziggy Stardust single (with a cover of Eno’s Third Uncle on the b side – what an education) which I still have in my ‘Grave Goods Trunk’ along with the Black Book and the cassette of the Blue Mask (I lost the Ziggy S cassette years ago). I sort of liked Bauhaus a bit but grew out of them quite quickly. I’ve never grown out of Bowie and Reed and the rest.
The opening song on the Blue Mask is about the poet Delmore Schwartz. Earlier this year I read Saul Bellow’s Humboldt’s Gift which is about Bellow’s relationship with Schwartz so whatever was kickstarted by seeing Bauhaus on the telly 34 years ago is still unravelling and is still somehow all tied up together.